20 film simulation
LUTs for Lumix.

A faithful recreation of Fujifilm's workhorse film simulation. Balanced, natural tones with slightly boosted contrast and saturation — versatile across every shooting situation from landscapes to street.

Soft, flattering skin tones with gentle contrast and subdued saturation. Originally designed for portrait and fashion work — beautiful on people, animals, and anything with warm organic texture.

Fujifilm's legendary landscape film — vivid, punchy, and highly saturated. Deep blues, vivid greens, and rich reds with strong contrast and near-black shadows. Built for scenes that deserve to pop.

Understated color with pulled-back saturation and firm midtone contrast — the look that made Fuji famous with street and documentary shooters. Reads more like reportage than a snapshot.

The Classic Chrome formula shifted warmer — same restrained, documentary contrast but with an amber lift through the mids. Excellent for golden-hour motorsport and warm-toned editorial work.

A grittier, negative-film character with teal-leaning shadows and warm highlight separation. Built for candid, off-the-cuff shooting — snapshots, street corners, everyday urban texture.

A professional-portrait negative simulation with firmer contrast than its Std counterpart. Skin holds detail and dimension under stronger light — built for studio setups and editorial portrait work.

A softer-contrast portrait negative look built for even, forgiving light. Gentle roll-off and natural skin rendering make it a dependable everyday portrait and lifestyle simulation.

A warm, slightly faded vintage-negative character with lifted blacks and an amber cast through the shadows. Built for travel journals and documentary work that wants to feel like an old print.

Fujifilm's newest simulation, tuned for accurate color with a touch more punch than Provia. A modern, do-anything look for reportage, product, and general-purpose shooting.

Fujifilm's cinematic simulation with subdued shadows, desaturated highlights, and a subtle film-like rolloff. Designed to look like it was shot on motion picture stock — particularly effective for moody landscape and documentary work.

The gold standard portrait film. Warm, creamy tones with flattering pinkish skin rendering, lifted shadows, and an incredibly smooth highlight rolloff. The most universally flattering LUT in the pack.

Warm golden tones with a distinctly nostalgic character. Strong orange-warm bias across the frame — greens go golden, blues go warm, skin glows. The film that defined the look of summer snapshots.

Kodak's most vibrant color-negative stock, known for punchy reds and saturated, fine-grain detail. Built for bright daylight, architecture, and landscapes that want serious color without the Velvia-level drama.

Cinematic, tungsten-balanced tones engineered for high-speed action under stadium lights or overcast skies. Deep blues and cool asphalt teals dominate the frame, punctuated by a dramatic red-orange halation glow across headlights and reflections. The definitive look for gritty night racing.

A broad, filmic grade built around teal-leaning shadows and warm highlights — the classic modern-cinema color split. Works as an all-purpose hero-shot look for video and stills alike.

A low-key, moody grade with crushed shadows and restrained color. Built for night scenes, silhouettes, and any subject that benefits from drama over accuracy.

An original grade built for endurance racing — deep teal shadows and warm amber highlights inspired by dusk stints at Le Mans. Engineered on the S5IIX and S9 specifically for track photography.

A cool, green-forward grade with earthy shadow tones, built for rally stages and woodland motorsport where the trees do as much work as the cars. Also strong on general forest and landscape work.

A deep, saturated original grade with punch across every channel — richer than Provia, more controlled than Velvia. A go-to when a scene needs extra color weight without tipping into caricature.